King udayana vasavadatta. He was the son of Sahasraanika.

King udayana vasavadatta. Thus, with the help of the Magadha prince and of Mahasena the aggressor Aruni is defeated and the lost kingdom of Kausambi is recovered. He was the son of Sahasraanika. This document provides a summary and thematic analysis of the Sanskrit play "Svapnavasavadattam" ("The Dream of Vasavadatta") by the ancient Indian poet Bhasa. In the last act, the family of Vasadatta send portraits of her to Udayana. The various versions recorded both in Buddhist scriptures as well as in the works of Brahmanic poets are well known; new insights, however, are being provided by the recent discovery of this romance in The king and Vasavadatta meet and after the king leaves the room, he is convinced that it was a dream and that Vasavadatta was dead. King Udayana thought that there was a hunch back on the other side, and Princess Vasavadatta knew that curtain was blessing to her eyes for hiding the leper, the one that was teaching her the art of charming elephants. She embodies qualities of beauty and virtue, playing various roles, including a romantic interest for Udayana and the head wife of the King of Vatsa. The famous romance between Udayana, the king of Vatsa, and Vāsavadattā, daugh-ter of King Pradyota and princess of the neighbouring kingdom, can be traced back to early Indian literature. [10]: p. The first eight acts of the play survive; its last portion is now lost. He was the king of Vatsa and called Vatsaraja. Udayana, the romantic hero of the Svapnavāsavadattā, the Vina-Vasavadatta, the Pratijñā-Yaugandharāyaṇa and many other legends was a contemporary of Buddha and of Pradyota, the king of Avanti. Vasavadatta fakes her death to allow the marriage to happen. The title of the play refers to its heroine Vasavadatta and the musical instrument vina. The play tells the story of King Udayana who is pressured to marry Padmavati for political reasons, despite being in love with his wife Vasavadatta. He was the hero of a popular love story, probably the earliest love story in India, a real-life story. At this point the May 24, 2020 · King Udayana and Princess Vasavadatta sat down separated by a curtain. Though we have Nala – Damayanti, Sathyavan – Savithri, Krishna – Rukmini, Arjuna – Chitrangada, and other such love stories they all become part of Princess of Ujjain, daughter of King Pradyota-MahÁsena, and the first Queen of Udayana, supposed to have been burnt alive and brought to Magadha in disguise as the Lady of Avant¥. She goes into hiding at . Jan 31, 2020 · The main theme of the drama is the sorrow of Udayana for his queen Vasavadatta, believed by him to have perished in a fire, which was actually a rumour spread by Yaugandharayana, a minister of Udayana to compel his king to marry Padmavati, the daughter of the king of Magadha. The plot of the drama is drawn from the romantic narrative about the Vatsa king Udayana and Vasavadatta, the daughter of Pradyota, the ruler of Avanti, which were current in the poet's time and which seem to have captivated popular imagination. 119 The Kathāsaritsāgara contains a long account of his conquests. Svapnavasavadattam is a sequel to the Bhāsa's another play Pratijnayaugandharayana (The Pledge of Minister Yaugandharayana) which describes in four acts the events culminating in the marriage of Udayana and Vasavadatta which was brought about by the efforts of Yaugandharayana, Udayana's minister. Udayana with his newly-wedded queen Padmavati returns to his kingdom. In the play, Vasavadatta's father, king Pradyota of Avanti, searches for a suitable husband for his daughter Aug 12, 2025 · Vasavadatta is a significant character in Jainism and Kavya literature, known as the daughter of King Candapradyota and later, King Candamahasena. Udayana was a prince of lunar race/ Chandra kula. The main theme of the drama is the sorrow of Udayana for his queen Vasavadatta, believed by him to have perished in a fire, which was actually a rumour Vina-Vasavadatta (IAST: Vīṇā-Vāsavadattā) is an Indian Sanskrit -language play attributed to Shudraka (c. 3rd century). Jan 22, 2025 · The Story of Udayana and Vasavadatta through the Ages 159 the hand of Padmavati and the king's consent is sought and within a few days Padmavati is married to Udayana. Her story involves themes of love, separation, and loyalty, as she assists in the king's escape and Nov 8, 2024 · The scene in the Pramada Vana under the sephalika bower minutely portrays the sentiments of Udayana, Padmavati and Vasavadatta, the king being unaware of the presence of the two ladies, and Padmavati being in the dark as to the identity of Vasavadatta; it brings forth the inner workings of the minds of the three in their true light. eiikx tv 61 ekbv slsl2 fx4awj dmzd qohi1hd es8 1w